The oldest jewel in the Faculty of Medicine's heritage

The Jardin des Plantes is the oldest jewel in the crown of the Faculté de Médecine. More than four centuries of shared history unite these two institutions without interruption. Their complementarity stems from a common goal: the knowledge, exaltation and preservation of living things - human beings for the Faculty of Medicine, the plant world for the botanical garden.

In the Middle Ages, Montpellier established itself as a trading city, well placed between the sea, the plain and the garrigue. Simple spices were sold for everyday consumption, but also for therapeutic purposes. Medicine and, more generally, medical education developed here. Among the teachers were illustrious scholars. Gui de Chauliac and Arnaud de Villeneuve were precursors, while Michel de Notre Dame, known as Nostradamus, and Rabelais were notable pupils. All were concerned with Botany.

Guillaume Rondelet, the founder of scientific botany, made herbalism official during a stopover in Béziers in October 1550. The city has remained one of the world's leading botanical capitals to this day.

A Jardin des Plantes finds its raison d'être, if not in the city itself, at least in the minds of those who will make the city's influence felt. Wasn't Rondelet himself the son of an "aromatarius", or spice merchant? His time saw the birth of a modest "hortulus" attached to the University of Medicine. Who could have predicted that, thanks to the will of Henri IV expressed in two letters patent dated December 8, 1593, the prestigious Jardin Royal de Montpellier would soon appear, 40 years before Paris saw its own blossom?

46 460

m² surface area

+ more than 4 000

species of open-air plants, including 760 trees

1 000

plant species in greenhouses

The royal garden

It's to Pierre Richer, a physician, that we must pay tribute at this point, for it was he who, shortly before the end of the 16th century, put into practice what had been crystallized by precursors, by creating a "royal garden" in Montpellier to teach plants to future physicians and apothecaries.

In 1622, under the reign of Louis XIII, Richer's first "medical garden" (ennobled as Belleval) was destroyed during the siege of Montpellier. This destruction, in turn, led to the creation of a second royal garden in Paris, which won't celebrate its fourth centenary until 2035.

Throughout his life, Richer devoted all his efforts and fortune to bringing this project to fruition. He re-established the Montpellier garden with his own money, and devoted the last ten years of his life to beautifying it, tirelessly repairing the damage done to it by the civil war. Through his passion and his work, Richer de Belleval followed in the tradition of Montpellier botanists.

During the Ancien Régime, the Jardin montpellierrain was home to eminent medical-naturalists such as Pierre Magnol, the greatest botanist of his time, François Boissier de Sauvages, Linné's correspondent, Paul-Joseph Barthez, Antoine Gouan and many others. It was at his School of Systematics, with its universal influence, that the first classification of plants by family was drawn up and the Linnaean method disseminated in France. The busts of all the scientists who worked here are a tribute to this scientific Mecca.

A veritable technical feat thanks to its skilful use of sun and shade, the garden soon became a paradise for the humanist spirit, exemplified by masters as skilled in medicine as in botany and anatomy. It was the meeting place given by the venerated masters to students and the curious alike, during which, sometimes in the company of gardeners, they wandered the paths in search of useful or curious plants. We motto as much as we teach. They experimented as much as they observed, and this tradition continued throughout the 18th century, when the Jardin Royal was the scene of public education.

A second youth

At the end of the 18th century, the garden almost disappeared along with the teaching of medicine. It was revived in 1800 by Auguste Broussonet, the Swiss-born Augustin-Pyramus de Candolle and Alire Raffeneau-Delile, who had close ties with the Museum. Its renewal is marked by a beautiful orangery dating from 1804. On two occasions, between 1808 and 1851, the Museum's surface area was considerably increased by the Montpellier municipality, which acquired various plots of land and donated them to the Faculty of Medicine. Now covering 4.5 hectares, the number of species under cultivation can be significantly increased.

Many naturalists perfected their knowledge during a stay in Montpellier, such as Thomas Platter, future anatomist from Basel, Ogier Cluyt, second prefect of Leyden, Pierre-Joseph Garidel and Joseph Pitton de Tournefort, from Aix and fellow herbalists, Jean-Baptiste Fusée-Aublet, a specialist in exotic woody plants; Philippe Commerson, made famous by Bougainville's expedition; Jacques-René Quoy, who sailed 60,000 leagues and described many plant and animal species; and many others...

In 1889, the garden adjoined an Institut de Botanique, created by Professor Charles Flahault. This institute, currently attached to the Université des Sciences et Techniques du Languedoc, is still a place of research, mainly in the field of ecology.

Opened to the public in 1841, it is frequented by a host of botanists, doctors and pharmacists, schoolchildren and students, as well as flora enthusiasts and tourists, many of them foreigners. Its romantic charm attracted many poets, such as Paul Valéry and André Gide, who came to meditate beside Narcissa's cenotaph, an 18th-century building that embodies a touching legend.

Montpellier has preserved many traces of these glorious times, including a number of herbariums created through donations and bequests. The Physicians' Herbarium, begun by Chirac and Chicoyneau in the 17th century, is the source of a collection of four million plant samples. And priceless iconographic collections.

Medical botany in the Middle Ages was the driving force behind the development of modern botanical science in Montpellier. The Jardin des Plantes de Montpellier currently has seed exchange agreements with over 700 similar institutes around the world.

Located at the corner of boulevard Henri IV and rue Auguste-Broussonnet, the Jardin des Plantes gracefully raises its foliage to the sky, a living and glorious testimony to the University's roots in the heart of its city. Garden, University and City remain linked by centuries of shared history, making this city, in the words of Urbain V, "a laughing garden of science".

The Rabelais monument

Birth

In 1910, the Union des Étudiants wanted to erect a monument to Rabelais on the Esplanade, close to the association's premises. At the instigation of Paul Ravoire, their General Secretary, a subscription was launched and a nationwide competition was held for sculptors. Two sculptors, both students of Jean-Antoine Injalbert, competed. Jacques Villeneuve 's "En vin vérité" was preferred to Biterrois Jean-Marie Magrou 's "Fais ce que tu voudras". This choice led to a violent journalistic polemic.

For four years, the local gazettes went wild. It took the First World War to calm tempers. Whatever one's opinion of this work, which its detractors compared to a mantelpiece or a clock.

With rancour at bay, it was decided to erect the monument in the Jardin Des Plantes.

The monument to Rabelais and the pleasures of life was inaugurated by President Millerand on November 6, 1921, during the grand celebrations marking the 7th centenary of the Faculty of Medicine.

The reconciled crowd was treated to an array of fine speeches.

Description

On the front of the Monument

Topped by a bust of Rabelais, framed by portraits of Gargantua (left) and Pantagruel (right), the monument features a bas-relief illustrating one of Rabelais' fables,

"La morale comédie de celluy qui avait espousé une femme mute".

This farce was created to be performed on the rue de la Loge, and was interpreted by Rabelais himself.

Here's a brief summary of the action. The woman was mute. Her good husband wanted her to speak. She spoke through the art of the doctor and surgeon, who cut off her net. As soon as she had regained her speech, she spoke so much that her exasperated husband returned to the doctor to ask him to remedy the evil and silence her.

"I do have remedies in my art," replied the doctor, "to make women talk. I don't have any to keep them quiet. The only remedy against wife talk is husband deafness."

The poor husband accepted this remedy, since there was no other. The doctors, by whatever spell they cast, rendered him deaf. The wife, seeing that he could hear nothing, and that she spoke in vain, became enraged. The doctor demanded his salary. The husband replied that he didn't hear his demand. The doctor threw a powder on his back, which drove him mad.

The mad husband and enraged wife agreed to beat the doctor and surgeon, who were left half-dead on the floor. And so the comedy ended.

 

In front of the Monument

Two round-bosses illustrate the University:

  • An allegory of the Faculty in the guise of a woman in professorial costume with camail and epitoge looks at the Aphorismes d'Hippocrate translated into Latin by Rabelais and published in 1532.
  • A student, an interwar carabiniere in his cape and Faluche, holds out a cup to the writer. This gesture is evoked on the right-hand side by the dive bouteille with its explosive "trinc" onomatopoeia. The statue has suffered various degradations over time, including the loss of the right hand holding the wine cup. The monument was restored to its former glory in October 2022.

On the bottom of the monument

The artist exalts vines and wine by depicting the triumph of Silenus on his donkey, followed by a goat-foot playing the horn.

The back of the monument

The reverse of the monument, with the University coat of arms, commemorates the doctorate Rabelais earned in Montpellier.

Vivez joyeux" ("Live joyfully") adorns the back of the monument. This maxim guided the philosophy of life of our dear François, a renowned humanist.

Frère Jean des Entommeures on the right and Panurge on the left are also represented.

The loss of the Student's hand

It was in 1986 that the student's hand first became detached. The vigorous winter cold was to blame. Mr. Jammes, from the Association des Amis du Jardin des Plantes, came to put the broken pieces back together.

Alas, she disappeared again.

In the wake of his second disappearance, a legend is slowly being born.

The loss of this hand holding the cup, allegory of the "dive bouteille", becomes a quest into which every Carabin can plunge. In other words, the dive bouteille is lost, and it's up to the students to find it through their actions and by keeping their traditions alive.

 

Catering

Since the loss of the hand, the monument can no longer be appreciated in its entirety, despite the legend. To enable anyone to understand Villeneuve's work, the decision was taken in 2022 to remake a hand for the student, at the same time as the complete renovation of the monument.

At the inauguration, all Montpellier residents were able to see the statue as immaculate as it was in 1921.

Carabinage Ceremony for Medical Students

To celebrate their entry into Carabin life, at the end of their second year of study, students attend the Carabinage ceremony.

On this occasion, their peers accompany them to take the oath before our Master.

Afterwards, it's customary to take a photo behind the Rabelais monument, featuring Rabelais's maxim, "Vivez joyeux" ("Live happily"). This phrase still guides the Carabins' line of conduct today. The pursuit of positive curiosity and pseudo-encyclopedic knowledge remain Rabelaisian notions close to our hearts.