The oldest jewel in the Faculty of Medicine’s heritage

The Jardin des Plantes is the oldest jewel in the crown of the Faculty of Medicine’s heritage. These two institutions have been inextricably linked by more than four centuries of shared history. Their complementary nature stems from a common goal: the pursuit of knowledge, the celebration, and the preservation of life—human life for the Faculty of Medicine, and the plant world for the botanical garden.

In the Middle Ages, Montpellier established itself as a commercial hub, ideally situated at the junction of the sea, the plains, and the garrigue. Simple spices were sold there for everyday use as well as for therapeutic purposes. Medicine and, more broadly, medical education flourished there. Among the faculty, distinguished scholars held chairs. Gui de Chauliac and Arnaud de Villeneuve were pioneers, while Michel de Notre Dame (known as Nostradamus) and Rabelais were notable students. All were deeply interested in botany.

Guillaume Rondelet, the founder of scientific botany, formalized the practice of herbarium collection during a stopover in Béziers in October 1550. The city has remained one of the world’s leading centers of botany to this day.

A Jardin des Plantes finds its raison d’être, if not in the city itself, then at least in the minds of those through whom the city’s influence will spread. Was Rondelet not himself the son of an “aromatarius,” that is, a spice merchant? His era saw the birth of a modest “hortulus” attached to the University of Medicine. Who could have predicted then that the prestigious Royal Garden of Montpellier would soon emerge, born of Henry IV’s will as expressed in two letters patent dated December 8, 1593, and thanks to an enthusiast—40 years before Paris saw its own bloom?

46 460

square meters in area

more than 4 4,000

open-air plant species, including 760 trees

1 000

plant species grown in greenhouses

The Royal Garden

We must now pay tribute to the physician Pierre Richer, for it was he who, shortly before the end of the 16th century, brought to fruition what the ideas of his predecessors had long ago laid out, by establishing a “royal garden” in Montpellier for the study of plants by future physicians and apothecaries.

In 1622, during the reign of Louis XIII, Richer’s (who was ennobled under the name Belleval) first “medical garden” was destroyed during the siege of Montpellier. This destruction, in turn, led to the creation of a second royal garden in Paris, a garden that will not celebrate its fourth centenary until 2035.

Throughout his life, Richer devoted all his efforts and his fortune to bringing this project to fruition. He restored the Montpellier garden at his own expense and spent the last ten years of his life beautifying it, tirelessly repairing the damage inflicted by the civil war. Through his passion and his work, Richer de Belleval carried on the tradition of Montpellier’s botanists.

During the Ancien Régime, the Montpellier Botanical Garden was home to eminent physician-naturalists such as Pierre Magnol, the greatest botanist of his time; François Boissier de Sauvages, a correspondent of Linnaeus; Paul-Joseph Barthez; Antoine Gouan; and many others. It was in its School of Systematics, renowned worldwide, that the first classification of plants by family was developed and the Linnaean method was introduced in France. This renowned scientific center is commemorated by busts of all the scholars who worked here.

A true technical feat achieved through the skillful use of shade and sunlight, the garden soon became a haven for humanist scholars, exemplified by masters who were as skilled in medicine as they were in botany or anatomy. It served as the gathering place set by the revered masters, for both students and the curious, where, sometimes accompanied by gardeners, they would stroll the paths to discover useful or curious plants. Here, one converses as much as one teaches. One experiments as much as one observes, and this tradition persisted throughout the 18th century, during which the Royal Garden served as a venue for public education.

A new lease on life

At the end of the 18th century, this garden nearly disappeared along with the teaching of medicine. It experienced a renaissance beginning in 1800, during the time of Auguste Broussonet, Augustin-Pyramus de Candolle (of Swiss origin), and Alire Raffeneau-Delile, who maintained close ties with the Museum. Its revival was marked by a beautiful orangery dating from 1804. On two occasions, its area increased considerably, between 1808 and 1851, thanks to the city of Montpellier, which acquired various plots of land and donated them to the Faculty of Medicine. Now covering 4.5 hectares, the number of species under cultivation could thus be significantly increased.

Many naturalists honed their knowledge during a stay in Montpellier, including Thomas Platter, the future anatomist from Basel; Ogier Cluyt, the second prefect of Leiden; Pierre-Joseph Garidel and Joseph Pitton de Tournefort, both from Aix-en-Provence and fellow herb collectors; Jean-Baptiste Fusée-Aublet, a specialist in exotic woody plants; Philippe Commerson, made famous by the Bougainville expedition; Jacques-René Quoy, who sailed 60,000 leagues and described numerous animal and plant species; and many others…

In 1889, the garden was adjacent to a Botanical Institute founded by Professor Charles Flahault. This institute, which is currently affiliated with the University of Science and Technology of Languedoc, remains a center for research, primarily in the field of ecology.

Opened to the public in 1841, it was frequented by a host of botanists, doctors, and pharmacists, as well as schoolchildren and students, but also by nature lovers and tourists, many of whom were from abroad. Its romantic charm captivated many poets, such as Paul Valéry and André Gide, who came to meditate there by the cenotaph of Narcissa, an 18th-century monument commemorating a touching legend.

Montpellier still retains many traces of these glorious days, including various herbariums, which were donated or bequeathed to the city. The “herbarium of the physicians,” started by Chirac and Chicoyneau in the 17th century, is the foundation of a collection of four million plant specimens—as well as priceless iconographic collections.

Medieval medicinal botany laid the groundwork for the rise of modern botanical science in Montpellier. The Montpellier Botanical Garden currently exchanges seeds with more than 700 other similar institutions around the world.

Located at the corner of Boulevard Henri IV and Rue Auguste-Broussonnet, the Jardin des Plantes gracefully stretches its foliage toward the sky, a living and glorious testament to the deep roots of a university in the heart of its city. The Garden, the University, and the City remain linked by several centuries of shared history, making this city, in the words of Urban V, “a delightful garden of science.”

The Rabelais Monument

Birth

In 1910, the Student Union sought to erect a monument to Rabelais on the Esplanade, near the association’s headquarters. At the instigation of Paul Ravoire, their Secretary General, a fundraising campaign was launched, along with a major national competition open to sculptors. Two sculptors, both students of Jean-Antoine Injalbert, were in the running. “En vin vérité” by Jacques Villeneuve was chosen over “Fais ce que tu voudras” by Jean-Marie Magrou of Béziers . This decision sparked a fierce media controversy.

For four years, the local newspapers ran wild. It took the First World War to calm things down. Whatever one’s opinion of this work—which its detractors compared to a chimney or a clock—

With the hard feelings having subsided, it was decided to erect the monument in the Jardin des Plantes.

The monument dedicated to Rabelais and the joys of life was unveiled by President Millerand during the grand celebrations marking the 700th anniversary of the Faculty of Medicine on November 6, 1921.

The reconciled crowd was treated to a series of eloquent speeches.

Description

On the front of the monument

Topped by a bust of Rabelais and flanked by portraits of Gargantua (on the left) and Pantagruel (on the right), the monument features a bas-relief depicting one of Rabelais’s fables,

“The moral of the story about the man who married a mute woman.”

This farce was written to be performed on the stage on Rue de la Loge and was performed by Rabelais himself.

 Here is a summary that’s more than enough to get the gist of the story. The woman was mute. Her good husband wanted her to speak. She spoke thanks to the skill of the doctor and the surgeon, who cut her vocal cords. As soon as she regained her speech, she talked so much that her exasperated husband went back to the doctor to ask him to remedy the problem and silence her.

“I certainly have, in my profession,” replied the doctor, “remedies designed to make women talk. But I have none to make them shut up. The only cure for a woman’s chatter is a husband’s deafness.”

The poor husband accepted this remedy, since there was no other. The doctors, by some spell they cast, made him deaf. The wife, seeing that he could not hear a word and that she was speaking in vain, became enraged at her inability to make herself heard. The doctor demanded his fee. The husband replied that he could not hear his request. The doctor threw a powder on his back, the power of which drove him mad.

The mad husband and the furious wife agreed to beat up the doctor and the surgeon, who were left half-dead on the floor. And so the farce came to an end.

 

In front of the Monument

There are two relief sculptures depicting the University:

  • An allegorical figure representing the Faculty, depicted as a woman in academic regalia with a cap and gown, is poring over Hippocrates’ Aphorisms, translated into Latin by Rabelais and published in 1532.
  • A medical student from the interwar period, wearing a cape and a faluche, holds out a cup to the writer. This gesture is depicted on the right side by the bottle, accompanied by the explosive onomatopoeia “trinc.” The statue has suffered various forms of damage over time, notably the loss of the right hand holding the wine cup. This monument underwent restoration in October 2022 to restore it to its former glory.

At the base of the monument

The artist celebrates the vine and wine by depicting Silenus riding triumphantly on his donkey, followed by a goat-footed figure playing a horn.

The back of the monument

The reverse side of the monument, featuring the university’s coat of arms, commemorates the doctorate Rabelais earned in Montpellier.

“Live Joyfully” is inscribed on the back of the monument. This motto guided the life philosophy of our dear François, a renowned humanist.

Brother Jean des Entommeures on the right and Panurge on the left are also depicted there.

The Student's Loss of Control

It was in 1986 that the student’s hand broke off for the first time. The bitter winter cold was blamed. Mr. Jammes, from the Friends of the Jardin des Plantes association, came to glue the broken pieces back together.

Unfortunately, she disappeared once again.

Following his second disappearance, a legend gradually began to take shape.

The loss of this hand holding the cup—an allegory of “the divine bottle”—becomes a quest in which every medical student can immerse themselves. In other words, the divine bottle is lost, and it is up to the students to seek it out through their actions and by keeping their traditions alive.

 

Catering

Since the loss of the hand, the monument can no longer be fully appreciated, despite this legend. To enable everyone to appreciate Villeneuve’s work, a decision was made in 2022 to recreate the hand for the student, as part of the monument’s complete renovation.

At the unveiling ceremony, the people of Montpellier were able to see the statue, which looked just as pristine as it did in 1921.

  

Hazing Ceremony for Medical Students

 To celebrate their transition into medical school life at the end of their second year, students attend the Carabinage ceremony.

On this occasion, their peers accompany them as they take the oath before our Master.

After that, tradition dictates that a photo be taken behind the Rabelais monument, where Rabelais’s motto, “Live Joyfully,” is inscribed. This phrase continues to guide the Carabins’ conduct to this day. The pursuit of positive curiosity and pseudo-encyclopedic knowledge remain Rabelaisian ideals that are close to our hearts.