Courtyard of Honor
Saint Peter's Cathedral: a university chapel turned fortress
The university building is closely linked to Saint-Pierre Cathedral, which was also built under the auspices of Urban V. Originally a university church, it became Montpellier's cathedral when the bishopric was transferred there in the early 16th century.
During the Wars of Religion, the cathedral suffered heavy damage. Protestants pillaged and ransacked it, leaving it in ruins for nearly a century. It was not until the 17th century that the bishops undertook its reconstruction, adding architectural elements such as new windows and floors.
Today, the cathedral retains its imposing character with a monumental porch, designed to impress and assert the power of the Church. Although this porch has no real defensive function, it adds to the building's military aura.
Anecdotes
Choretto / Cloister Gallery
Its four medieval bays are the remains of the old cloister that surrounded Saint Benoît College on two levels. It was dissected when the faculty was established after the Revolution, before being reallocated to the cathedral in 1823!
Observe the six architectural periods spanning six centuries.
- Occitan Gothic style: the courtyard walls and narrow windows topped with a trilobe (three semicircles) date back tothe 14th century, as does the oldest part of the cathedral (Saint Pierre Church, then the abbey church of Saint Benoît College) and its four square towers, one of which, the Urbain V tower, adjacent to the Faculty's assembly hall, remained intact after the Protestant siege in 1567. Above the roof of the assembly hall, which was rebuilt in the17th century, alcoves corresponding to the former student rooms can be seen when standing on the outer steps of the theatrum, with the wing on Rue École de Médecine dedicated to the students who originally built the building.
- Neo-Gothic style: the cathedral's nave and rose window were built between 1855 and 1875! Note the change in color of the stones. The tiles are rather incongruous for the south of France, as they are glazed and more reminiscent of the architecture of the Hospices de Beaune!
- Neoclassical style: the theatrum anatomicum, begun in 1802 and inaugurated in 1806, could be imagined to pay homage to ancient Greek medicine!
- Classic style: the large rectangular Italian-style windows were carved out inthe 18th century, when the bishops renovated the building, which had been severely damaged during the Wars of Religion. The spirit of openness and light is evident when compared to the medieval windows, some of which remain at different levels, providing insight into the modifications made to the different floors.
- Recent additions: note the grand staircase built in the second half ofthe 19th century, and a recent section built between the late19th and early20th centuries, at the left corner of the theatrum, at the junction with the west wing of the building, housing the laboratories of a brand new medical discipline emerging at that time: histology (the study of tissues, with its pathological version, pathological anatomy, or "anapath").
The transformation after the Revolution: from college to medical school
After the French Revolution, the building underwent a major transformation. In 1795, with the confiscation of Church property, the former college was assigned to the new School of Health founded in 1794. This transfer was symbolic, as it marked a return to the site's original academic vocation, which had been interrupted when the Bishop took possession of the building during the Renaissance. Nevertheless, as the Bishop was the supreme head of the universities, equivalent to the current rector (hierarchically above the chancellors (deans) of the University), the bishopric can be considered somewhat like the rectorate today. It was thus frequented by the university community throughout the school year for ceremonial purposes.
The renowned chemist and politician Jean-Antoine Chaptal, who played a key role in reorganizing institutions under Napoleon, facilitated this transformation. Chaptal was also behind numerous industrial and educational reforms, and his portrait hangs in the Salle des Actes.
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