THE ATGER MUSEUM

Less well known than our Conservatoire d'Anatomie, the Musée Atger is no less surprising. Home to a collection of over a thousand drawings and five thousand prints, the Musée Atger is a little-known jewel in the Faculty's crown. Discover its history and heritage here!

1813

date of X. Atger

1000

drawings

5000

prints

A museum born of one man's generosity

With its 1,000 drawings and 5,000 prints, the Musée Atger is Montpellier's oldest museum. Its unexpected presence here is the result of the generosity and deliberate choice of Montpellier collector Xavier Atger (1758-1833), an enlightened art lover with a passion for works of art.

The intellectual vitality of the Medical School, where an exceptional library had been built up in the early 19th century, explains this choice. In keeping with the humanist vision of medicine shared by the school's professors, Xavier Atger also wanted to open students up to the arts, and in particular to study drawing, an essential technique in their training and, above all, an unrivalled means of exercising their powers of observation.

Xavier Atger presents a broad panorama of themes and techniques, bringing together masters of the French, Italian and Flemish schools.

Art schools

The French school is best represented, with artists such as Fragonard, Philippe de Champaigne and Hubert Robert, as well as the "southerners" Sébastien Bourdon, Charles Natoire and Raymond Lafage. Flemish and Nordic works are just as interesting, including a fine double-sided Rubens, two drawings by Van Dyck and a remarkable old man's head by Jordaens. The Italian school, with 150 drawings, includes such great names as Carracci, Guerchino and Donatello, and the Venetian Giambattista Tiepolo, whose 26 works are particularly helpful in understanding Xavier Atger's passion for drawing, an art in which he saw "unrivalled warmth, energy and expression".

In 2017, the donation of 81 drawings by Montpellier artist Colette Richarme (1904-1991) provided an opportunity for a fruitful dialogue between contemporary works and classical art.

Xavier Atger

Jean-François Xavier Atger (1758-1833)
has left us few traces outside his collection.
Born in Montpellier, he received a classical education
at the Collège Royal, and learned the fine arts
in the studio of painter Etienne Loys (1724-1788).
An enlightened amateur, he traveled in Italy and throughout
France, building up most of his collection by frequenting
art dealers and art auctions.
art sales.
A few months before his death, Xavier Atger
donated a large part of his collection to the
to the Faculty of Medicine in Montpellier.

François Mireur

This painted terracotta bust dating from the 18th century
represents Etienne-François Mireur. Born in
Escragnolles in 1770, he spent his early years
at the Collège de Grasse. At the time, medicine
was essentially based on botany, and young Mireur's attraction
young Mireur's attraction to this field naturally
naturally led him to Montpellier and its famous
of health. After 3 years of study, he obtained the title of
of medicine at the age of 22.

François Mireur is well known for having helped
the spread of the Marseillaise, which conquered France
before becoming our national anthem.

Hyacinthe Rigaud

The Musée Atger collection includes a work by
by Hyacinthe Rigaud (1659-1743), the famous French
portraitist.

This drawing, dated 1732, depicts Marc Pierre
de Voyer de Paulmy, comte d'Argenson.
Drawn in red chalk, black stone, gray wash
and colored gouache on gray paper, the work
is striking for its noble attitude and realistic
realism of line.

Practical info

The Musée Atger is closed indefinitely for renovation. During this period, it will not be accessible to the public.

The Musée Atger is normally open to visitors free of charge. It is located on the second floor of the Faculty and can be reached after climbing the écorché staircase.

Opening hours :

  • Monday: 1:30 p.m. to 5:30 p.m.
  • Wednesday: 1:30 p.m. to 5:30 p.m.
  • Friday: 1:30 pm to 5:30 pm

The historical heritage of the Faculty of Medicine is managed by the Department of Historical Heritage and Scientific Culture (DCSPH) and two of its departments (University of Montpellier).