THE ANATOMY CONSERVATORY

At the heart of our historic building, the Anatomy Conservatory has been an incomparable teaching tool for generations of medical students, since before today's techniques for exploring the human body. Today, it is a privileged witness to the history of anatomy teaching.

1851

creation date

500

m2 gallery

5600

preserved parts

What is it?

In the mid-nineteenth century, the historic building, a former episcopal palace that had housed the Faculty of Medicine and its collections since 1795, was enlarged with the construction of a wing for the practical teaching of anatomy. Conservation and study of the collections are organized within an anatomy conservatory.

The Montpellier Anatomy Conservatory is a 500 m² gallery built in 1851 by architect Pierre-Charles Abric (1800-1871): a veritable "temple" of medicine, the conservatory presents a succession of display cases detailing the human body and its pathologies, in a majestic setting punctuated by colonnades and under the aegis of famous doctors and allegories of various sciences painted by Montpellier artist Jean-Pierre Montseret (1813-1888).

A collection linked to teaching

A large part of the collection is made up of anatomical preparations deposited by professors and medical students in the 19th and early 20th centuries, illustrating the specific nature of the anatomy conservatory: by its very nature, the conservatory is linked to teaching, and has received numerous items produced as part of this activity. Complementary collections include series of wax, plaster and papier-mâché casts, surgical instruments and orthopedic equipment. Corollary collections, relating to comparative anatomy and zoology on the one hand, and archaeology on the other, add to this ensemble, which is an exceptional illustration of a pedagogical approach aimed at suggesting in one place a panoptic vision of the human body.

The conservatory today

Today, the Anatomy Conservatory houses almost 5,600 real and artificial specimens from collections of normal, pathological and comparative anatomy. This historical and patrimonial collection, which reflects the history of medical teaching at Montpellier's Faculty of Medicine and testifies to the anatomical techniques of an era, has been closed since 1996, when professors last added objects to the conservatory's collections. In 2004, the entire collection, together with the historic building housing it, was classified as a historic monument, definitively establishing the heritage nature of the medical school's collections. Since then, the conservatory has only opened its doors for guided tours organized by the Montpellier Méditerranée Métropole Tourist Office. In 2021, the conservatory will be renovated to improve the watertightness of its windows. Find out more

Félice Fontana (1730-1805) 

Felice Fontana was an Italian abbot, physician,
naturalist and physicist. From 1771 to 1775,
he set up La Specola - the Royal and Imperial
and Imperial Museum of Physics and Natural History - in
Florence, where he settled permanently in 1780.
His anatomical wax modelling workshop soon became
quickly became the most famous in Europe.
In 1796, Bonaparte visited La Specola and expressed his
to obtain a copy of some of his works for
for French health schools.
Initially destined for Paris,
it was finally Montpellier that obtained Fontana's
Fontana's works through the intermediary of Montpellier
doctor Jean-Antoine Chaptal,
then Minister of the Interior.

Louis Auzoux (1797-1880)

Louis Auzoux is a French physician,
creator of the first anatomical models
models in papier-mâché, known as "clastics" because they
because they could be disassembled
order of dissection.
Building on his success with the scientific
scientific community, he developed his creations
and set up his own workshop in Normandy
his catalog of human, animal and plant
and plant models.
Louis Auzoux was at the origin of a veritable
revolution in the teaching of anatomy
because, for the first time, artificial objects
were used to supplement dissections.
dissections.

L'écorché, aka "The Digger

The emblem of the anatomy conservatory
of Anatomy, Le Bêcheur is a plaster-cardboard sculpture
created by Alphonse Lami in
1858.
This artistic piece represents a myology
of the human body (anatomical science
study of muscles). Here, the subject is in full exertion
effort, a dynamic posture that allows
the behavior of muscles.
Le Bêcheur was loaned to the Museum
Metropolitan of Arts in New York in 2018 for the
exhibition Like Life, and to the Musée Fabre in
2020 for the Art and Anatomy exhibition
celebrating 800 years of the Faculty of Medicine.

Practical info

The conservatory will reopen in 2025.

The conservatory is not normally open to the public. However, a visit to the conservatory is included in the guided tour of the faculty's historic building organized by the Montpellier Méditerranée Métropole Tourist Office.

  • Contact Tourist Office: 04 67 60 60 60

The historical heritage of the Faculty of Medicine is managed by the Department of Scientific Culture and Historical Heritage (DCSPH) and two of its departments (University of Montpellier).