THE ANATOMY MUSEUM

Located at the heart of our historic building, the anatomy museum served as an invaluable educational resource for generations of medical students long before modern techniques for examining the human body were developed. Today, it stands as a unique testament to the history of anatomy education.

1851

date of creation

500

square meters of gallery space

5600

preserved artifacts

What is it?

In themid-19th century, the historic building—a former bishop’s palace that had housed the Faculty of Medicine and its collections since 1795—was expanded with the addition of a wing dedicated to the practical teaching of anatomy. The preservation and study of the collections were organized there within an anatomy museum.

The Montpellier Anatomy Museum is a gallery spanning over 500 square meters, built in 1851 by architect Pierre-Charles Abric (1800–1871): a true “temple” of medicine, the museum presents, within a majestic setting punctuated by colonnades and under the watchful eye of famous physicians and allegorical figures representing various sciences painted by the Montpellier artist Jean-Pierre Montseret (1813–1888), a series of display cases detailing the human body and its pathologies

A collection related to education

A large part of the collection consists of anatomical specimens donated by medical professors and students inthe 19th and early20th centuries, illustrating the unique nature of the anatomy museum: intrinsically linked to education, the museum has received numerous specimens created as part of this activity. Added to this collection are complementary collections, such as series of wax, plaster, or papier-mâché casts, surgical instruments, and orthopedic equipment. Related collections—covering comparative anatomy and zoology on the one hand, and archaeology on the other—further enrich this collection, which serves as an exceptional illustration of an educational approach aimed at presenting a comprehensive view of the human body in a single location.

The Conservatory Today

Today, the Anatomy Museum houses nearly 5,600 real and artificial specimens from collections covering normal, pathological, and comparative anatomy. This historical and heritage collection, which reflects the history of medical education at the Montpellier Faculty of Medicine and bears witness to the anatomical techniques of an era, has been closed since 1996, the date of the last addition of objects by professors to the conservatory’s collections. The protection afforded by the 2004 designation of the entire collection, as well as the historic building that houses it, as a historic monument definitively establishes the heritage status of the medical school’s collections. Since then, the conservatory has opened its doors only for guided tours organized by the Montpellier Méditerranée Métropole Tourist Office. In 2021, the museum is undergoing renovations to improve the weatherproofing of its window and door frames. Learn more

Félice Fontana (1730–1805) 

Felice Fontana was a priest, physician,
naturalist, and physicist. From 1771 to 1775,
he established La Specola—the Royal and
Imperial Museum of Physics and Natural History – in
Florence, where he settled permanently in 1780.
His workshop for modeling anatomical wax figures
quickly became the most famous in Europe.
In 1796, Bonaparte visited La Specola and expressed
wish to obtain a copy of certain
works for French medical schools.
Originally intended to be sent to Paris,
it was ultimately Montpellier that obtained
Fontana’s works thanks to the intervention of
Montpellier physician Jean-Antoine Chaptal,
who was then Minister of the Interior.

Louis Auzoux (1797–1880)

Louis Auzoux was a French physician,
creator of the first anatomical models
made of papier-mâché, known as “clastics” because
they can be taken apart into several pieces
the order of a dissection.
Building on his success within the
, he expanded his creations and
set up his workshop in Normandy, where he expanded
his catalog of human, animal,
and plant models.
Louis Auzoux was the driving force behind a true
revolution in the teaching of anatomy
because, for the first time, artificial
were used to supplement
dissections.

The flayed figure, known as “The Digger”

A true emblem of the conservatory
of anatomy, the Bêcheur is a plaster sculpture
plasterboard created by Alphonse Lami in
1858.
This artwork depicts a myology
of the human body (the branch of anatomy that
studies muscles). Here, the subject is in the
exertion, a dynamic posture that allows
appreciate the behavior of the muscles.
Le Bêcheur was on loan to the
of Arts in New York in 2018 for
the exhibition Like Life, and to the Musée Fabre in
2020 for the exhibition Art and Anatomy, which
celebrated the 800th anniversary of the Faculty of Medicine.

Practical Information

The conservatory will reopen in 2025.

Normally, the conservatory is not open to the public. However, a tour of the conservatory is included in the guided tour of the faculty’s historic building organized by the Montpellier Méditerranée Métropole Tourist Office.

  • Contact the Tourist Office: 04 67 60 60 60

The historical heritage of the Faculty of Medicine is managed by the Office of Scientific Culture and Historical Heritage(DCSPH) and two of its departments (University of Montpellier).