THE ANATOMICAL CONSERVATORY

At the heart of our historic building, the anatomy conservatory served as an invaluable teaching tool for generations of medical students before modern techniques for exploring the human body existed. Today, it stands as a unique testament to the history of anatomy education.

1851

creation date

500

square meters of gallery space

5600

preserved items

What is it?

In themid-19th century, the historic building, a former episcopal palace that had housed the Faculty of Medicine and its collections since 1795, was expanded with the addition of a wing dedicated to the practical teaching of anatomy. The conservation and study of the collections were organized within an anatomy conservatory.

The Montpellier Anatomy Conservatory is a gallery covering more than 500 m² built in 1851 by architect Pierre-Charles Abric (1800-1871): a veritable "temple" of medicine, the conservatory presents, in a majestic setting punctuated by colonnades and under the aegis of famous doctors and allegories of various sciences painted by Montpellier artist Jean-Pierre Montseret (1813-1888), a succession of display cases detailing the human body and its pathologies.

A collection related to teaching

A large part of the collection consists of anatomical preparations deposited by professors and medical students inthe 19th and early20th centuries, illustrating the specific nature of the anatomy conservatory: essentially linked to teaching, the conservatory received numerous pieces produced as part of this activity. This collection is complemented by additional collections, such as series of wax, plaster, or papier-mâché casts, surgical instruments, and orthopedic equipment. Corollary collections relating to comparative anatomy and zoology on the one hand, and archaeology on the other, further enrich this collection, which is an exceptional illustration of an educational approach aimed at providing a panoptic view of the human body in one place.

The conservatory today

The anatomy conservatory currently holds nearly 5,600 real and artificial specimens from collections relating to normal, pathological, and comparative anatomy. This historical and heritage collection, which reflects the history of medical education at the Montpellier Faculty of Medicine and bears witness to the anatomical techniques of an era, has been closed since 1996, when professors last added objects to the conservatory's collections. The protection afforded by the classification of the entire collection as a historic monument in 2004, as well as the historic building that houses it, definitively marks the heritage character of the Faculty of Medicine's collections. Since then, the conservatory has only opened its doors for guided tours organized by the Montpellier Méditerranée Métropole Tourist Office. In 2021, the conservatory is undergoing renovations to improve the waterproofing of its window frames. Find out more

Felice Fontana (1730–1805) 

Felice Fontana was an abbot, physician,
naturalist, and physicist. From 1771 to 1775,
he established La Specola – the Royal and Imperial Museum
Imperial Museum of Physics and Natural History in
Florence, where he settled permanently in 1780.
His anatomical wax modeling workshop
quickly became the most famous in Europe.
In 1796, Bonaparte visited La Specola and expressed
wish to obtain copies of certain
works for French medical schools.
Initially intended to be sent to Paris,
it was ultimately Montpellier that obtained
Fontana's works thanks to the intervention of
Montpellier physician Jean-Antoine Chaptal,
then Minister of the Interior.

Louis Auzoux (1797–1880)

Louis Auzoux was a French physician
creator of the first anatomical models
made of papier-mâché, known as "clastiques" because
they could be dismantled into several pieces
the order of a dissection.
Building on his success with the scientific community
, he developed his creations and
set up his workshop in Normandy, where he expanded
his catalog of human, animal,
and plants.
Louis Auzoux was responsible for a veritable
revolution in the teaching of anatomy
because, for the first time, artificial objects
were used to supplement
dissections.

The flayed man, known as "Le Bêcheur"

A true emblem of the conservatory
, Le Bêcheur is a plaster sculpture
made of plasterboard by Alphonse Lami in
1858.
This artistic piece represents a myology
of the human body (the anatomical science that
studies muscles). Here, the subject is in the midst of
effort, a dynamic posture that allows
appreciate the behavior of the muscles.
Le Bêcheur was loaned to the Metropolitan Museum
Metropolitan Museum of Art in New York in 2018 for
the exhibition Like Life, and to the Musée Fabre in
in 2020 for the exhibition Art and Anatomy, which
celebrated the 800th anniversary of the Faculty of Medicine.

Practical information

The conservatory will reopen in 2025.

Normally, the conservatory is not open to the public. However, a visit to the conservatory is included in the guided tour of the faculty's historic building organized by the Montpellier Méditerranée Métropole Tourist Office.

  • Contact Tourist Office: +33 (0) 4 67 60 60 60

The historical heritage of the Faculty of Medicine is managed by the Department of Scientific Culture and Historical Heritage(DCSPH) and two of its services (University of Montpellier).