THE ANATOMY MUSEUM

Located at the heart of our historic building, the anatomy museum served as an invaluable educational resource for generations of medical students long before today’s techniques for examining the human body existed. Today, it stands as a unique testament to the history of anatomy education.

1851

date of creation

500

m² of gallery space

5600

preserved artifacts

What is it?

In themid-19th century, the historic building—a former episcopal palace that had housed the School of Medicine and its collections since 1795—was expanded with the construction of a wing dedicated to the practical teaching of anatomy. The preservation and study of the collections were organized there within an anatomy conservatory.

The Montpellier Anatomy Museum is a gallery covering more than 500 m² built in 1851 by architect Pierre-Charles Abric (1800–1871): A true “temple” of medicine, the Conservatory features, within a majestic setting punctuated by colonnades and under the watchful eye of famous physicians and allegorical figures representing various sciences—painted by the Montpellier artist Jean-Pierre Montseret (1813–1888)—a series of display cases detailing the human body and its pathologies

A collection related to education

A large part of the collection consists of anatomical specimens donated by professors and medical students inthe 19th and early20th centuries, which illustrates the unique nature of the anatomy museum: intrinsically linked to education, the museum has received numerous specimens created as part of this activity. In addition to this core collection, there are complementary collections, such as series of wax, plaster, or papier-mâché casts, surgical instruments, and orthopedic equipment. Related collections—covering comparative anatomy and zoology on the one hand, and archaeology on the other—further enrich this collection, which serves as an exceptional illustration of an educational approach aimed at presenting a comprehensive view of the human body in a single location.

The Conservatory Today

The Anatomy Collection currently holds nearly 5,600 real and artificial specimens from collections covering normal, pathological, and comparative anatomy. This historical and cultural heritage collection, which reflects the history of medical education at the Montpellier School of Medicine and bears witness to the anatomical techniques of an era, has been closed since 1996, when professors last added objects to the museum’s collections. The designation of the entire collection—as well as the historic building that houses it— as a historic monument in 2004 definitively established the heritage status of the medical school’s collections. Since then, the conservatory has been open to the public only as part of guided tours organized by the Montpellier Méditerranée Métropole Tourist Office. In 2021, the museum is undergoing renovations to improve the weatherproofing of its window and door frames. Learn more

Félice Fontana (1730–1805) 

Felice Fontana was a priest, physician,
naturalist, and physicist. From 1771 to 1775,
he established La Specola—the Royal and
Imperial Museum of Physics and Natural History—in
Florence, where he settled permanently in 1780.
His workshop for modeling anatomical wax figures
quickly became the most famous in Europe.
In 1796, Bonaparte visited La Specola and expressed
wish to obtain copies of certain
works for French medical schools.
Originally intended to be shipped to Paris,
it was ultimately Montpellier that obtained
works by Fontana, thanks to the efforts of the
Montpellier physician Jean-Antoine Chaptal,
who was then Minister of the Interior.

Louis Auzoux (1797–1880)

Louis Auzoux is a French physician,
creator of the first anatomical models
made of papier-mâché, known as “clastiques” because
they can be taken apart into several pieces according to
the order of a dissection.
Building on his success within the
scientific community, he expanded his creations and
set up his workshop in Normandy, where he expanded
his catalog of human, animal,
and plant models.
Louis Auzoux was the driving force behind a true
revolution in the teaching of anatomy
because, for the first time, artificial
were used to supplement
dissections.

The Ecorché, known as “The Digger”

A true icon of the
anatomical museum, the “Bêcheur” is a
plasterboard created by Alphonse Lami in
1858.
This artwork depicts a myology
of the human body (the branch of anatomy that
studies muscles). Here, the subject is in the midst of
exertion—a dynamic pose that allows
one to appreciate how the muscles function.
*Le Bêcheur* was on loan to the
Metropolitan Museum of Art in New York in 2018 for
the “Like Life” exhibition, and to the Musée Fabre in
2020 for the exhibition “Art and Anatomy,” which
celebrated the 800th anniversary of the Faculty of Medicine.

Practical Information

The conservatory will reopen in 2025.

Under normal circumstances, the conservatory is not open to the public for self-guided tours. However, a tour of the conservatory is included in the guided tour of the faculty’s historic building organized by the Montpellier Méditerranée Métropole Tourist Office.

  • Tourist Office Contact: 04 67 60 60 60

The historical heritage of the Faculty of Medicine is managed by the Directorate of Scientific Culture and Historical Heritage(DCSPH) and two of its departments (University of Montpellier).