Honoré Piquet Gallery

This gallery features nine memorial plaques honoring physicians from the Faculty who served the kings of France in the15th and16th centuries.

Funeral plaques, the Faculty’s oldest artifacts (late 15th–early 17th centuries)

These plaques hold particular significance for the Faculty and for the history of higher education more broadly. They pay tribute to the Faculty’s physicians who served the kings of France in the 15th and 16th centuries. As royal physicians, they successfully argued their case and obtained letters patent from King Charles VIII authorizing the funding of four teaching chairs (1496), which were confirmed in 1498 by his successor, Louis XII. This latter date officially marks the founding of the Royal College of Medicine (now known as Panacée) and the moment when the teaching of medicine began to be financially supported by the state, rather than solely by the students’ personal funds.

It was Chancellor Ranchin who first mentioned the existence of these plaques. Originally numbering 12, only 9 remain today. The oldest honors Adam Fumée (who died in 1494), and the most recent was installed by Chancellor Ranchin himself in the early 17th century, honoring Jean Hucher and André Laurens (who died in 1603 and 1608, respectively). After this last plaque, Ranchin began work on the portrait gallery. One can thus imagine that these plaques are the predecessors of our paintings!

The gallery is named afterHonoré Piquet, as indicated by the plaque bearing his name, which specifically states that the Faculty owes its charter from Charles VIII to this physician, who went on to serve as dean (1498–1502) and then as chancellor of the University of Medicine (1503–1513).

Fun fact: The tops of these plaques are badly damaged, but they hold great historical value! These plaques were visible from the street, set against the walls of the Royal College of Medicine (the Faculty’s first dedicated premises, built in the second half of the 15th century, and currently home to the artists’ residency program of the Montpellier School of Fine Arts, “La Panacée”). During the Revolution, their coats of arms were chiseled away following the decree of June 17, 1790, which abolished the nobility, livery, and honorary titles. This decree specifically outlined the defacements to be carried out on monuments!