Board Room

Built in the Louis XVI style, this former room in the bishop’s private quarters has served as the Faculty Council Chamber since the Revolution. Its paintings and busts depict chancellors, deans, professors, doctors, and surgeons, primarily fromthe 18th century, including such notable figures as the surgeon François Gigot de Lapeyronie, the physician and philosopher Paul Joseph Barthez, and the famous botanist Pierre Magnol (after whom the magnolia was named).

The Boardroom

Originally, this room was part of the bishop’s private quarters. While it may have been used for important meetings, some have suggested that it was once a music room, due to the bas-relief decorations depicting musical instruments above the fireplace. However, the other decorations depict pastoral scenes and agricultural implements, typical of the Louis XVI style—which doesn’t mean this room is a vegetable garden, though!

Today, this room is used for Faculty Council meetings, where important decisions regarding the institution’s governance are made.

The numerous portraits, busts, and decorations pay tribute to the leading figures in the history of medicine, surgery, and botany in Montpellier duringthe 18th century. It was during this period that the red academic gown began to be trimmed with ermine.

The bust of Jacques Mathieu Delpech: a tragic figure in Montpellier’s surgical history

This room houses a bust of Jacques Mathieu Delpech, a prominent surgeon of the early19th century known for his contributions to cosmetic surgery and the prevention of nosocomial infections (postoperative infections). Delpech is considered a pioneer of rhinoplasty.

However, his career came to a tragic end when he was murdered by one of his former patients in 1832. This patient, who suffered from paranoia, accused Delpech of breaching medical confidentiality by revealing—without any basis—that he would no longer be able to have children following an operation. The patient, who had already been convicted of violent paranoid acts in the past, returned specifically from Bordeaux to commit his crime. He waited for the surgeon on his way out of the hospital and killed him with a rifle before taking his own life.

There is also a statue of Delpech in the grounds of Saint-Éloi Hospital, in tribute to his work at that institution, where he served as chief surgeon.

Lapeyronie's syndrome: a bridge between surgery and medicine

Another major figure featured in this room is François Gigot de Lapeyronie (1678–1747), painted by the famous Catalan artist Hyacinthe Rigaud.

In the painting, he is depicted in civilian attire with the red surgeon’s gown draped beside him, even though he had originally been a surgeon. This detail symbolizes the era when surgeons were gradually gaining the same status as physicians, marking a major shift in the recognition of surgery as a science in its own right.

A renowned surgeon from Montpellier and the chief surgeon to King Louis XV, Lapeyronie played a major role in establishing surgery as an academic discipline independent of the authority of physicians. He worked politically to separate surgeons from barbers as distinct professions and co-founded the Royal College of Surgery in Paris, serving as its first president.

Upon his death, Lapeyronie bequeathed part of his fortune so that his colleagues in Montpellier could establish the Royal College of Surgery in his hometown. The Hôtel Saint Côme served as an exclusive training center for surgeons until the Revolution. The surgeons would later leave it, as they permanently joined the school of health, that is, the Faculty of Medicine.

A hospital in Montpellier is named after Lapeyronie.