New logo: 3/5 The faculty's DNA

Designed by Montpellier architect François Fontès, the Arnaud de Villeneuve campus aims to reflect Montpellier's reputation for excellence in medicine. Covering an area of 11,440 m² spread over six floors, this building is intended to replace the Institute of Biology, which was built between 1880 and 1960 in the city center as an annex to the historic Faculty building. The exterior architecture of the building consists of a spectacular 65-meter-long and 12.7-meter-high entrance made of glass, concrete, and stainless steel mesh comprising 3,600 square meters of latticework. Together, these elements give the façade a contemporary look.

The numerous slender posts and the roof pierced with multiform holes of random appearance represent the mutagenic radiation that can strike the genome and the pillars of the DNA ladder.

In front of the building, a contemporary sculpture by Nicolas Daubanes ison display on the forecourt. This sculpture, which also evokes aDNA molecule, symbolizes genetic heritage, or the origins of the Faculty, recalling its 800 years of history and its evolution towards modernity. The body of the work, made of marble tubes from the quarries of Saint Pons de Thomières in the Hérault region, represents the skeleton of an organism, while its concrete shell (altered by sugar) evokes the skin and its evolution over time. The spiral shape of the sculpture suggests continuous movement and progression, in harmony with the long history of the Montpellier university community. The concrete (the skin) is intended to evolve over time, gradually revealing the marble (the timeless skeleton) and fragments of a poem. This poem, engraved on the marble, was written by Sergei Wolkonski, a narrative teacher at the Perpignan School of Fine Arts, at the request of Nicolas Daubanes. The narrator summarized the results of interviews conducted with teachers and a student, Allan Guilliey, regarding their perception of the history of their faculty at the time of its800th anniversarycelebration. Allan Guilliey was the spokesperson for the student community, bringing together external and internal students within an association, the ACHEMM (Association pour une Cérémonie Historique des Etudiants en Médecine de Montpellier). This monumental work, initiated by the students and funded by the Hérault Departmental Council, is part of a collection of contemporary art donated by the students and their patron to the University as part ofits 800th anniversary celebrations.

Nicolas Daubanes' work extends François Fontès' architecture, offering visual and conceptual continuity. It invites reflection on the complexity of human beings and the importance of considering all their dimensions, in line with advances in modern medicine. In short, this artistic work bears witness to the heritage and future of the university institution, while honoring its prestigious past.

The Arnaud de Villeneuve campus symbolizes the spirit of the faculty. It is an academic setting that combines technological innovation and cultural heritage, laying the foundations for a forward-looking medical education.

Photo credit: Sophie Belloni-Vitou