New Logo: 3/5 The Faculty’s DNA

Led by Montpellier-based architect François Fontès, the Arnaud de Villeneuve campus aims to reflect Montpellier’s reputation for medicine. Covering an area of 11,440 m² spread over six levels, this building is intended to replace the Institute of Biology—built between the 1880s and 1960s in the city center—which served as an annex to the Faculty’s historic building. The building’s exterior features a spectacular entrance 65 meters long and 12.7 meters high, constructed of glass, concrete, and a stainless steel mesh comprising 3,600 square meters of latticework. Together, these elements give the façade a contemporary look.

The numerous slender posts and the roof, pierced with randomly shaped holes, represent the mutagenic radiation that can strike the genome and the rungs of the DNA ladder.

In front of the building, a contemporary sculpture by Nicolas Daubanes ison display on the plaza. This sculpture, which also resembles aDNA molecule, symbolizes genetic heritage—or the origins of the Faculty—commemorating its 800 years of history as well as its evolution toward modernity. The body of the work, made of marble tubes sourced from the quarries of Saint Pons de Thomières in the Hérault department, represents the skeletal structure of an organism, while its concrete shell (altered by sugar) evokes the skin and its evolution over time. The sculpture’s spiral form suggests continuous movement and progression, in harmony with the long history of Montpellier’s university community. The concrete (the skin) is intended to evolve over time, gradually revealing the marble (the timeless skeletal structure), as well as fragments of a poem. This poem, engraved on the marble, was written by Sergueï Wolkonski, a narrative instructor at the Perpignan School of Fine Arts, at the request of Nicolas Daubanes. The narrator synthesized the results of interviews conducted with faculty members and a student, Allan Guilliey, regarding their perceptions of their Faculty’s history at the time of its8th centennialcelebration. Allan Guilliey served as the spokesperson for the student community, which brought together both external and internal students within an association, the ACHEMM (Association for a Historic Ceremony of Montpellier Medical Students). This monumental work, initiated by the students and funded by the Hérault Departmental Council, is part of a collection of contemporary art donated by the students and their patron to the University as part of the800th-anniversary celebrations.

Nicolas Daubanes’s work builds upon the architecture of François Fontès, offering visual and conceptual continuity. It invites reflection on the complexity of the human being and the importance of considering all its dimensions, in light of advances in modern medicine. In short, this artwork bears witness to the legacy and future of the university, while honoring its prestigious past.

The Arnaud de Villeneuve campus embodies the spirit of the faculty; it is an academic setting that combines technological innovation with cultural heritage to lay the foundation for a forward-looking medical education.

Photo credit: Sophie Belloni-Vitou